For Teenagers & Young Adults

Why Comparison Is a Trap
(And How to See Out of It)

A short, honest letter to any teenager or young adult who has ever closed their phone feeling slightly worse than when they opened it.

By Rex Jacob · June 2026 · 7-minute read

I want to start with something my parents told me when I was very young, and which I have been quietly grateful for my whole life.

They said: do not look up at people who have more than you and feel small. Look down at people who have less than you, and feel grateful for what you have. If you ever do want to look up at someone, let it be at someone who is doing the work, and let it motivate you rather than envy you. Choose what you look at, and choose what you let it do to you.

I do not remember when exactly they first said it. It was the kind of thing parents say so often that it sinks into you without you noticing. By the time I was your age, I had stopped looking at richer classmates and feeling smaller — not because I was virtuous, but because I had been trained out of it.

I want to give you, in one short essay, the same gift my parents gave me. Because the trap I was protected from is now everywhere, in a form even my parents could not have predicted. The trap is comparison. The accelerator is the small glowing screen you are probably reading this on. And the cost of falling in is much higher than you realise.

This is not a lecture about screens. It is something much simpler — a way of seeing the trap that, once you see it, you cannot unsee it. And then it loses some of its power over you.

What you are actually looking at

Here is the single most useful thing I can tell you about your feed.

It is not a window into how people are living. It is a magazine they are editing about themselves.

Read that twice. The friend posting the beach photo did not also post the airport queue, the lost luggage, the argument over the hotel booking, the quiet hour she spent feeling out of place. The classmate posting the prize did not post the dozen things he did not win. The neighbor with the new car did not post the EMI he is now stretching his salary to cover.

Every feed is curated. Not occasionally — always. The version of someone you see on Instagram is the version they want you to see. It is the highlights reel of a movie whose dull stretches and bad scenes are sitting on the cutting-room floor, where you will never see them. As Vex King writes in Good Vibes Good Life, "don't compare your behind-the-scenes to someone else's highlight reel." He is not just being poetic. That is exactly what is happening.

And I should be honest: I do this too. I am not standing outside the trap pointing at it. If you scroll through my own Instagram you will see photos of motorcycle trips through South India — the coastal roads, the morning light, the bike parked at some scenic pullout. What you will not see is the sore body at the end of a long ride, the constant fiddly work of loading and unloading saddle bags at every hotel, carrying them up to my room each evening and back down each morning, or the small everyday vigilance of parking the bike just so when I stop for a coffee — close enough to keep an eye on, never out of sight, because a stranger could walk off with something in a moment. The photo gets posted. The work behind the photo does not. Every account on your feed is doing the same edit, mine included.

Everyone is editing — which means no one is keeping up

Nobody is winning this race. Nobody is keeping up. The "everyone is doing better than me" feeling that the feed produces is mathematically impossible. If everyone is doing better than everyone, no one is doing better than anyone. The feeling is real. The thing it is pointing at is not.

It took the rest of the world a long time to articulate what my parents had been quietly teaching me as a child. I want you to understand it now, while you are young enough for it to shape the next forty years of your seeing.

The trap is older than the phone

I want to be honest about something else. The trap of comparison did not arrive with social media. It is one of the oldest traps human beings have walked into.

The Greek philosophers wrote about it. The Bible has a commandment against it — thou shalt not covet thy neighbour's house — which means the problem was serious enough, three thousand years ago, that someone thought to write it down as a rule.

What social media did was not invent comparison. It industrialised it. It took a problem that used to happen occasionally — when you visited a neighbour's bigger house, or heard about a cousin's promotion at a wedding — and turned it into something happening to you a hundred times a day, every day, often without you noticing.

This is worth knowing because it means the answer is not really "delete Instagram." The answer is to understand the trap itself, so that whether you are scrolling a feed or visiting a fancy friend's home or hearing about a classmate's college admission, the trap has less power over you. You see it for what it is.

What this is quietly costing you

I want to name, gently, what comparison actually does to you over time. Not to scold. Just to make it visible.

It steals your attention from your own life. Every minute you spend evaluating someone else's posts is a minute you did not spend noticing what is happening in front of you — the conversation with a parent, the book on your desk, the slow afternoon light, the small accomplishments that are actually yours.

It starts to shape what you do. Slowly, without you noticing, you begin choosing things partly because they will look good in a post. The trip becomes about the photo. The meal becomes about the story. The achievement becomes about the announcement. The original thing — the trip itself, the meal itself, the achievement itself — gets quietly demoted from main event to raw material for content.

And it teaches you to discount the ordinary. Most of life is ordinary. Most of the good things in a good life are unphotographable — a parent who answers the phone, a friend who actually listens, a stretch of time where nothing dramatic happened but you felt deeply okay. A feed full of dramatic moments slowly trains your brain to feel that ordinary contentment is somehow not enough. It is enough. It is, in the end, almost everything.

A line often attributed to Theodore Roosevelt, more than a hundred years ago, gets at this in one sentence — and it has been quoted so often that it has lost some of its weight. I want to give it back its weight here, because whoever said it first was right: comparison is the thief of joy.

One thing worth knowing — and one thing worth doing

Here is the closing thought I want to leave with you.

Most of the joy in your life will come from things that never make it onto a feed. The quiet talks with people you love. The small private satisfactions of something you made or learned or finished. The mornings that felt easy for no particular reason. The friend who texted just to check on you. These things are not posted because they cannot really be posted. They are too small, too internal, too specific. But they are most of what a good life is actually made of.

The teenagers who learn this early — who learn to spend less time watching other people's edited lives and more time noticing their own real one — end up with a quiet advantage in adult life that is hard to describe and impossible to fake. Not because they are better than anyone. Just because they are more present in the life they actually have.

If you want one thing to try this week, it is this. The next time you find yourself scrolling and feeling that small sting, do not blame yourself and do not blame the feed. Just notice the mechanism. Tell yourself, quietly: that is the magazine, not the life. Then close the app and look up at the room you are actually in. Whatever is in that room is more real, and probably more interesting, than anything on the screen.

That is all. That is the whole article. Now go look up.

Rex Jacob
Rex Jacob

Lives in Kochi with his family. Has helped run a software company for close to twenty years, came to reading late, and keeps these notes on money, books, and the roads of South India.

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